home

 

Mark DuCharme

 

 

AUDIO

 

 

The Unfinished

 

 

To have no vocabulary for this hunger

Makes it unsayable? What is sayable?

The air gently moves. Where

Does it come from? What force

Drives it? Is it

 

We who have no vocabulary

Or is there an it we are not

Saying? If we are not, then is it

Unsayable? Would the air,

If it stopped moving, no longer be air?

 

What fool knows this weight

Of unspokenness— this turning about

As breath not vocalized? If breath’s not

Vocalized, where does it die? If thought’s not

Fleshed, where is it devoured?

 

To have, but not, a fleshly vocabulary

For these coincidences, this turning about

Inside the visible but just outside the spoken,

The spokes of the turning, & the flesh & the air it

Consumes. What good to even have a vocabulary

 

If we don’t use it, even to whisper

This thing, this unspoken? What good to

Have flesh, & to touch (yes, to touch casually)

If not to give oneself wholly to the weight,

The gravity of touch— if one

 

Holds back meaning this thing & the weight of it?

Given wholly to form. If we are

Given holy to form, would it drive us mad—

Incapable of speaking, of putting words

To the thing we mean but cannot name,

 

To the touch we ache but cannot breathe?

If we, who use breath to move air,

To vocalize, to imagine, are so bare,

So fearful to even say, to touch, to

Bear the world at brim—

 

Until speech isn’t even necessary.

   

after Creeley

 

 

 

 

 

 

_____________________________

 

 

 

 

 

 

 

 

The Unfinished

 

 

Logos as transitive

 

          What I see in air

Stops turning

 

Rife with suspects

                    The infinitive a

                    Careless threshold

 

To speak of these

Things bodily

 

At the point where we

Don’t leave—

 

 

                    To take

                  The leap

            Between the

                Serious &

                        Dead

 

                Weight of

                    Birds, a

           Come-hither

                 Variety &

                   Scale of

 

                       What

                   I realize

                     I don’t

                        Need

 

 

 

That the body encompasses what

Doesn’t bleed—

 

& That we are here, in hindsight

 

 

We can accept him-or-her as

What it wants.

 

We can accept fine details of accretion

 

Accumulation is American logic

 

I am, or am not, on standby

 

It is interrupted now, & all right here

 

Interspersed by marginal details of nightfall

 

Dictation as transitive       desire

 

The pen is crushed by ligatures

 

Swirling on the page

 

Anything less than the pale horizon

 

Except in pure lines, which hindsight doesn’t form

 

 

 

 

_____________________________

 

 

 

 

 

 

 

 

The Unfinished

 

 

When I say it will not bloom, it will not

    Bloom. The sky comes apart graphically.

The geography of desire is unstable

    As June’s sudden storms. She is a sudden

 

Storm—

              Flash, & then gone.

 

 

 

 

 

 

 

 

 

 

_____________________________

 

 

 

 

 

 

 

 

The Unfinished

 

 

When I say it will not bloom, I mean to

    Tear up this rainy     suddenly July

Afternoon, & start over, &

    Over in air, burning—

 

I mean to. But it will not ring,

    & The sung precisely is unreliable

& Integument, the parted

 

          It drifts over meaning like smoke. This noise

What of it? I am a stable variety

    A seriously unstable contingent

The absence of which is smoke.     I am not

 

I am, nor am I, increasingly swiftness

        Of tongue & whatever else is night.

A swiftness in the varieties of buildings & gardens

        Against which nothing has been rung.

 

              (There are men, old

    Or middleaged, walking

    The park with barely their

    Wits

    About them)—

 

 

How are these pressed

        Intonations viable?

 

Where the flora are outnumbered

    & Would sink

 

Into counted circum-

        stance. There is a train

 

Or positions of bodies restlessly—

        Bodies there or

Numb with desire—

 

        Or numb with forgotten

    Desire.

 

Desire is the rose the dangerous quantity the

        Position on the map which burns our

Eyes.

                Our eyes were here to be sated.

I am scratching out your breath.

 

The heat continues, dumbly—

        As you or I or anyone

Could trace this breath to its core—

 

Your core.   Our core.     Your core.

 

 

 

 

 

 

 

 

 

_____________________________

 

 

 

 

 

 

 

 

The Unfinished

 

 

for Chuck Pirtle

 

 

At the double edge of being & saying

Writing these lines in order to free them

Where the structure of the night is tuneless

& I want to eradicate the edge between pages

& The light that runs away

 

To make of the body an emblem

Drenched in smoke

To make the skin between poem & world—

The life around it & inside life—

Porous with new meanings

 

To flee like smoke while the wind runs away

At the edges of a daylight wrapped in structure

Tuneless with new poems which slip

Onto pages & outside them, &

The light that runs away

 

Containing the skin & its meanings &

The pages of the night which are not tuneless

Outside of emblems’ tragic smoke

Which slips beside the days that we

Erase to make new days or pages (only to be devoured in turn)

 

  home