D. E. Steward

 

 

Febuare

 

 

AUDIO

 

 

Honey or honey yellow is redder, stronger, lighter than California green, redder, stronger, lighter than olivesheen, and a skosh redder than Yellowstone

 

Andujar, Linares, Jaen

 

The plains of Seville are la sartén de España, a sartén is a frying pan

 

“So I have loitered my life away, reading books, looking at pictures, going to plays, hearing, thinking, writing on what pleased me best” – William Hazlitt

 

Pattypan squash is cymling

 

Yaupons is cassina, a southeastern dahoon holly

 

No farther than the River of May, the St. Johns, then back north on the other Miami-to-New York Amtrak route, that from Savannah goes, Denmark, Columbia, Camden, Hamlet, Southern Pines, Cary, Raleigh, Rocky Mount and then up the main line through the Virginia Tidewater to Washington

 

The limpid morning air of Southern Pines in southern North Carolina

 

A small place of privilege, golf and oblivious arrogance, but very pleasant strolling briefly in it off a train

 

Nothing could be finer than to be in Carolina

 

In Carolingian times the Church began to be a physical space rather than the community of believers it had been in the catacombs until Constantine and Nicaea in 325

 

Adoptionism, Arianism, Gnosticism, Marcionism, Montanism

 

A bronze statuette of Charlemagne in the Louvre from Metz less than a foot high, an orb in one hand, riding stirrupless, looking almost friendly and approachable

 

Charlemagne spoke Frankish Old High German first, and his Romance Latin was already sliding into French with the Romans gone from Aachen and Liège for four hundred years

 

Father of Europe

 

Karl den Store, Karel de Grote, Karel de Grutte, Karl der Große, Karel de Groussen, Carolus Magnus, Carlemany, Charlemagne, Charles le Grand, Charles le Magne, Carlomagno, Carlos Magno, Tchårlumagne, Tchåle li Grand, Karel Veliki, Karol Wielki, Karl-Veur

 

Himiltrude, Desiderata, Hildegard, Fastrada, Luitgard, were his serial wives

 

Gersuinda, Madelgard, Amaltrud of Vienne, Regina, and Ethelind, his mistresses 

 

Charlemagne’s 786 Kaiserdom in Aachen, his design, his glory, and his tomb

 

The Kaiserdom proportioned like a grange or deanery

 

Elegant and fine, a human scale

 

Not of the monumental Classical past of the Pantheon, or of Hagia Sophia

 

Grandeur returned at the time of Speyer and Autun

 

Already at the peak of the Romanesque, well before High Gothic, the individual soul dwarfed by groin vaults, soaring naves and awe at the hallucinatory brilliance of sunlight through stained glass

 

Cathedral monuments to the human cost of lifting a culture to utter permanence

 

As the Mexican and Egyptian pyramids

 

All to the glory of the godhead of their choice

 

Theocratic hunches about what complex of ostentatious behavior would give the best chance of life after death 

 

Those powerful, aggrandizing clerics would have been suckers for Wagner and Richard Strauss

 

Hymns in The Hartford Selection (1799), “God from His throne with Piercing Eye” and “My Soul Would Fain Indulge a Hope”

 

Money then not quite yet life’s report card

 

Now the belief system is simpler

 

Perhaps, perpetually, it’s just a matter of the ruthless ones and the kind ones

 

That all human affairs boil down to that

 

Maybe every scintilla of abstract belief is bogus

 

“…the miserable Lares // scramble to the back of the shrine, // shoving each other and stumbling, // one little god falling over another,’’ –  Cavafy, trans. Keeley and Sherrard

 

The flute’s mercurial moods and the piano’s wide dimensions in Carl Reinecke's Undine Sonata, op. 167

 

Watch predawn mist lift off the South Fork of the Shenandoah

 

On route marches, Charlemagne must have often watched mist lift off rivers 

 

Through eastern France, into Italy with its Po Valley flat streams

 

Charlemagne’s old empire much more warred over and tampered with than Virginia’s Dordogne

 

With its taupish limestone ridges and sycamores

 

White beans and cornbread

 

Late summer corn rustle lost in woosh of moving sky beneath approaching thunderheads

 

Their tops aglow in the unfinished dusk

 

“The moon was mixed with flowing rivers, and it was buried in the hearts of lakes, and it trembled on the waters like bright fish” – Thomas Wolfe, Of Time and the River

 

Come up upon a four-thousand-years-old bronze door with two bosses of abstract design curved with a nonfunctional seam nearly four meters long, its whole flowing concept cast as if executed freehand    

 

A summer day in the Forbidden City, wandering it stunned, building to building, object to object, agape at the subtlety of the vistas between the temples and pagodas

 

At Wutasi (Zhenjuesi), Beijing’s Five-Pagodas Temple, Buddha’s footprint, pleasant bamboo-green flower-gardened paths, the pagodas virtually stupa-like

 

Ming, 1403-1424

 

Sanskrit script carvings on garden stele and the pagodas themselves 

 

Their stone with an orange tint in the sun

 

Stepped construction, a design brought to China by fourteenth-century Indian monks

 

The complex’s wooden buildings were burned out by colonial European troops in 1860, again in 1900, and not rebuilt

 

“Waiting for the Barbarians”

 

Chinese terracotta flowerpots and roof tiles are generally gray

 

North China’s deforested ridges, bare hills, one-story attached houses of pressed gray earth or cinderblocks along snaking streets, corrugated zinc or gray Asian tile roofs

 

There are very many Chinas

 

And within Beijing, there is Tiantan’s awesome scale

 

Tiantan was the site for the Ming emperors to ceremonially define the year for the whole of the Middle Kingdom

 

They initiated the growing season there by planting the first rice

 

Colossal enclosures, platforms, triple-tiered stairs, halls, grand avenues, tree-lined parks

 

From the Second Ring Road walking the north-south axis, nearly three kilometers to Tiantan’s North Gate

 

All gigantically arranged Buddhist Taoist symbolically

 

Stone, stone, stone

 

Flat carapace dome, gray stone cosmology

 

Implacable in the manner of the ancient Asian geographical vision of the stone bowl of the world resting on the backs of huge tortoises

 

Implacable

 

Temper color from pale yellow to dark blue assumed by smooth steel from reheating